Reverend Horton Heat - Holy Roller
Album Review witten by Linda Laban
They've got songs about sex. They've got songs about drugs.
They've got songs about rock'n'roll; hey, Reverend Horton Heat
are rock'n'roll! You can hear it in every gurgling growl, loin-
aching moan, and wildly effusive, Gretsch guitar spree that
singer/guitarist Jim Heath exhumes. This career retrospective
culls tracks from this rockabilly trio's three mid-'90s
albums on Sub Pop, and from their two albums for current
label, Interscope.
The cunningly titled Holy Roller is subtitled 24 Hits even
though the Rev have only scored one hit single in the powerful
steamy, lusting "One Time for Me," thus holding the term
"hits" up for interpretation (though, here's a clue: the Rev
and company include their instrumental ode to the wacky weed
not-so-cunningly titled "Marijuana"). But there's more than
just sex, drugs, and rock'n'roll to this band that,
besides Heat, includes stand-up bassist Jimbo Wallace and
latter-day drummer Scott Churilla, and here revisits the
powerhouse chops of former skin-pounder Taz Bentley
(currently of Tenderloin).
There's an ode to sophistication ("It's Martini Time"), a musing
on personal hygiene ("Bath-Water Blues"), study of
homosexuality ("Cowboy Love"), and a musical homage to metal
("400 Bucks"). This all adds up, of course, to a bad reputation
for this Austin-based, punkabilly trio, and what do you know--
they've even got a song simply titled "Baddest of the Bad" that
quickly disposes of Geoge Thorogood's ridiculous hubris.
Whilst the Rev's songwriting is preoccupied with the life of
a lad (and sometimes a cad), even at their most lyrically
puerile, Heath's inspired guitar work transcends any
juvenile shallowness.
Despite some savvy ad exec featuring the band playing in the
background of some spiffy car commercial that has been blowing
the socks off bland TV-land recently, the Rev remains a
noncommercial venture. Neither cultish or populist, the
Reverend don't pander to youth culture a la Marilyn Manson,
nor have they softened up their keen retro '50s musical
sensibility to fit in with any revival (hello Setzer);
consequently hits still elude them. Rock'n'Roll Legend
however, already has their name on its roll call.
Linda Laban (sounds@aa.net)